Sound Engineer for An Evening of Marvin Gaye produced by Dont Stop The Beat Productions. Playing a number of theatres across the country.
I was Sound Designer for BYMT’s The Dickens Girls. With a band of 6 lead by Oli Jackson, the cast performed the musical with just one week rehearsal! Winner of the BYMT New Music Theatre Award 2019
I Sound designed Jack And The Beanstalk for Little Wolf Entertainment at Derby Arena. This involved complete system design, sourcing sound effects, and crafting the overall sound of the show. Some pics on the read more..
I was Sound Designer and Sound #1 for Seedtime 2018’s Legally Blonde from London Studio Centre. An intensive tech period lead to two casts of about 40 students performing over 2 weeks.
The Wolsey Theatre in Ipswich created a piece of theatre to commemorate Ipswich Town FC’s FA Cup win in 1978. The piece followed the storylines of different families on the lead up to the FA Cup win including all of the games in the tournament. A band of actor musicians were used as a soundtrack […]
I was Sound Designer for Queens Theatre Hornchurch’s production of Beauty & The Beast 2017. Working with a wonderful creative team including Director Martin Berry, Designer Keith Orton, Lighting Designer Prema Mehta, Musical Director Dan de Cruz, Choreographer Sundeep Kent.
I Designed the sound for the world premier of Oxy & The Morons at the Wolsey Theatre in Ipswich. A Brand New Punk Musical By Paul Sirett, Mike Peters & Steve Allan Jones
I was Sound Engineer for the tour of Anita & Me 2017.
I was Production Sound Engineer for the Wolsey Theatre’s Rock & Roll Panto. This involved Prepping hired equipment, installing the show and assisting with the tech both programming and design.
I was Sound #1 on Jackie the Musical UK Tour 2016, working alongside George Chatburn as #2, Simon King as Production Engineer, and Bobby Aitken as Sound Designer.
I was Sound Engineer on the Wolsey Theatre’s production of The Sword in the Stone this year. I programmed and opped the CL3 throughout the run. All the cast were on headmics which aided with the underscore on the intro on the majority of the songs. As usual, handhelds were used for the songs.
I was the Sound Engineer when Jo Harman played at the Wolsey Theatre. She had a great 4 piece band accompanying her.
Joss Arnot’s Dance Company had their production week and first couple of shows at Dance East.
Backed by a superb trio led by Jason Rebello, Clare Teal performed at the Ipswich Jazz Festival where I was Sound Engineer for the show.