I Sound Designed The Snow Queen for the Wolsey Theatre in Ipswich in 2020. We managed to produce and perform the show inbetween local lockdowns during the Covid-19 Pandemic both to an audience in the theatre, and live streamed every show to an audience at home and around the world. To minimise contact between the […]
A Broadway and West End hit musical that’s a ravishing love story with a bittersweet difference, Once casts a spell over the audience just as its two lead characters cast a spell over each other. I am Sound Designer for Once UK Tour 2020. It is a re-mount of the previously successful co-production the Wolsey & Hornchurch […]
I was Sound Designer for the New Wolsey Theatre’s Panto – Aladdin. Written by Pete Rowe Directed by Kate Golledge Designed by Rebecca Brower Choreographed by Darragh O’Leary Musical Director Barnaby Southgate Lighting design by Richard G Jones Sound Design by James Cook Production photographs taken by Mike Kwasniak
I was sound designer for the Wolsey Theatre and Nuffield Southampton Theatre’s actor musician slant on the popular One Man Two Guvnors. Director: Pete Rowe, Design: Libby, MD: Ben Goddard, LX: Mark Dymock Book By Richard BeanBased on The Servant of Two Masters by Carl Goldoni with songs by Grant Olding Set in the colourful underworld […]
I was Sound Designer for BYMT’s The Dickens Girls. With a band of 6 lead by Oli Jackson, the cast performed the musical with just one week rehearsal! Winner of the BYMT New Music Theatre Award 2019
The Addams Family – Sound Design. Opp: Shaun Emmerson.
Little Shop of Horrors performed at the Plesance theatre in Islington for London Studio Center’s Seedtime company. I sound designed with Peter Hazelwood as Sound #2. Lighting design by David Phillips.
I was Sound Designer for Grandma saves the day! An actor-musician jukebox style 80’s musical based in Ipswich. It’s Ipswich in the late 1980’s and the Giles family are thrown into confusion when the upwardly mobile Stinkletons move in next door. It takes Grandma Giles to sort it all out with a few swift blows […]
A Queen’s Theatre Hornchurch and New Wolsey Theatre Ipswich production. Script by Amanda Whittington. Directed by Kirstie Davis, Designer Jess Curtis, Lighting Designer Mark Dymock, Sound Designer James Cook, Choreographer Lucie Pankhurst. Three young couples are striving for glory on the competitive dance circuit – having finally made it to Blackpool’s National Amateur Championships via the motorway hard […]
I Sound designed Jack And The Beanstalk for Little Wolf Entertainment at Derby Arena. This involved complete system design, sourcing sound effects, and crafting the overall sound of the show. Some pics on the read more..
I was Sound Designer for Once the Musical produced by the New Wolsey Theatre along with Queens Theatre. Once is a well known modern musical performed by actor-musicians. This brings it’s own challenges with every actor needing to be mic’d along with all of their instruments. The show is a very delicate mix, intentionally sounding […]
I was Sound Designer and Sound #1 for Seedtime 2018’s Legally Blonde from London Studio Centre. An intensive tech period lead to two casts of about 40 students performing over 2 weeks.
The Wolsey Theatre in Ipswich created a piece of theatre to commemorate Ipswich Town FC’s FA Cup win in 1978. The piece followed the storylines of different families on the lead up to the FA Cup win including all of the games in the tournament. A band of actor musicians were used as a soundtrack […]
I Designed the sound for the world premier of Oxy & The Morons at the Wolsey Theatre in Ipswich. A Brand New Punk Musical By Paul Sirett, Mike Peters & Steve Allan Jones
I was Sound Engineer for the tour of Anita & Me 2017.
I was involved with a number of high profile events and private parties.
I was Production Sound Engineer for the Wolsey Theatre’s Rock & Roll Panto. This involved Prepping hired equipment, installing the show and assisting with the tech both programming and design.
I was Sound Engineer on the Wolsey Theatre’s production of The Sword in the Stone this year. I programmed and opped the CL3 throughout the run. All the cast were on headmics which aided with the underscore on the intro on the majority of the songs. As usual, handhelds were used for the songs.
Working with the beans at Greenspark, I was Sound Engineer for Hines’ European Conference. 10 ways of RF and various playback sources from the video team.